When MacMillan premiered his full-length Manon at Londons Royal Opera House in 1974, the ballet created somewhat of a scandal. Filled with morally questionable characters who engage in gambling, erotic duets, shady dealings, fickle behavior, murder, and prostitution, it represented the antithesis of fairytale ballets with happily-ever-after endings. Thirty-five years later, Manon, set to an orchestrated compilation of Jules Massenets compositions, has received acclaim as a masterwork that frankly explores human weaknesses and their consequences. The combination of costume drama and magnificent dancing creates a wonderful marriage of ballet at its grandest.
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At a Parisian gambling house and bordello, Manon cavorts with her admirers, until confronted by Des Grieux. Her affections waver between her rich patron and her ardent lover, until she persuades Des Grieux to cheat at a card game with Monsieur G.M. The older man discovers the scheme and has Manon arrested as a prostitute. In an ensuing scuffle, Lescaut is stabbed to death.
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